Narrator 2: To hear the Collection Tour audio on this work, press 5–1–7.
Over the cheek area of this grotesque creature-if it is a creature-the blue pocket watch is draped. Something soft oozes from the nose like a fat snail: is it a tongue? There are no other distinguishable human features. A closed eye has immensely long lashes, like the legs on a centipede. A wrinkled brow is clearly visible, and a nose seen in profile points down to the bottom of the painting. A monstrous, grayish, fleshy object lies on the sand in the lower middle of the canvas, like a beached whale. There’s one more watch, and it’s draped over the weirdest object of all. It’s crawling with ants: an unexpected and disconcerting sight. A third watch lies below and just to the left of it – a gold one, its face hidden in its case. A fly sits just below the 12 and casts a shadow on the face of the watch. It is gold with a blue face and the time reads 6:55. The lower half hangs limply over the edge, like an over–ripe cheese melting in the sun. It’s huge, almost the same size as the stunted tree above it. It hangs half of the blue face outwards, like a big blue banana skin, with one hand shown pointing to the 6.Ī second, similar pocket watch is draped over the edge of the platform below. It has no strap or chain, just a round knob for winding it up. It’s an old–fashioned, silver pocket watch, with a blue face. Book - The Persistence Of Yellow INSPIRATION FOR LIVING BRIGHTLY Written by Monique Duval / Illustrated by Roeqiya Fris This is a book about a place that. Over this branch is draped one of the watches. From it sprouts a grayish, withered tree: lopped off at the top, with not a leaf in sight, extending one thin branch out to the right. In the bottom left of the painting, from 7 o’clock to 9 o’clock is the corner of a brown wooden platform upon which the artist’s signature is barely visible. At the top right, or at one o’clock, a sunlit high ridge of rocky land juts into the sea. The position of the objects in this painting will be indicated using the analogy of the face of a clock. But the upper portion of the sand is a lighter brown, with the calm, light blue sea in the distance and the top third of the painting has yellow sky that graduates into deep blue at the very top of the painting.
The bottom two–thirds of the canvas is occupied by a dark brown, flat expanse of sand that is deep in shadow. But they’re like no watch you’d find in the waking world: they’re soft, and they’re draped over other objects in the scenery like discarded clothing.īeginning with the landscape, it seems to be a desolate coastal region. In a dreamlike landscape, giant watches dominate the foreground. The persistence of yellow fever vaccine Immunization using live attenuated vaccines represents a contra-indication after solid organ transplantation (SOT): consequently, transplant candidates planning to travel in countries where yellow fever is endemic should be vaccinated prior to transplantation. But it’s a hauntingly strange and memorable image. Narrator 2: This is a small, framed painting, only about the size and shape of a computer screen. Oil on canvas, 9 inches high by thirteen inches wide.
The Persistence of Memory by the Spanish artist, Salvador Dalí, 1904–1989. It is encouragement to stir together the possibilities of the moment and create something bright, wonderful, and true.Narrator 1: 6–3. And just like a treasured book of family recipes, it’s your companion in finding that place where endless inspiration and serendipity come together as the right ingredients for life.\nCombining artful, vibrant illustrations with rich, poetic vignettes, The Persistence Of Yellow is a colourful collection of wisdom for a woman’s heart. ],"description": "\nThis is a book about a place that exists in each of our hearts.\nIt is a recipe book for the soul. Combining artful, vibrant illustrations with rich, poetic vignettes, The Persistence Of Yellow is a colourful collection of wisdom for a womans heart.
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